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방송대 방통대 고급영문강독 기말시험 2013년도 2학기 4학년 / 올에이클래스 기출문제 모의고사

by AN, TAEMIN / ΛΙΙΛ™ 2022. 11. 16.
0-썸네일-고급영문강독-기말-13-2-4
0-썸네일-고급영문강독-기말-13-2-4
올에이클래스 이용안내 이미지입니다. 올에이클래스는 인터넷 익스플로러를 제외한 크롬엔진 기반의 브라우저에서만 원활히 이용가능합니다.
2013 학년도     2 학기     4 학년     35 문항
고급영문강독
시험종류   :기말시험
출제위원   :방송대 이원주, 손향숙
출제범위   :멀티미디어강의 전체
자료출처   :한국방송통신대학교
웹앱제작   :올에이클래스 김현수

 

36모방론과 가장 거리가 먼 개념은?
3720세기에 들어와서 본격적으로 부상한 비평으로 문학 작품을 그 외부의 작가, 자연, 독자로부터 분리하여 하나의 독립된 세계로 보자는 시각을 지닌 것은?
38어떤 작품의 여러 가지 판본을 비교, 연구하여 정본을 규명하는 것을 목표로 하는 비평은?
39Johnson이 “Life of Cowley”에서 형이상학파 시인에 대해 사용한 표현은?
40“Shakespeare is above all writers―at least above all modern writers―the poet of nature; the poet that holds up to his readers a faithful (            ) of manners and of life.”에서 글의 내용상 괄호 안에 가장 알맞은 것은?
41ⓐ~ⓓ 중에서 글의 내용과 어울리지 않는 것은?
His persons act and speak by the influence of those ⓐspecific passions and principles by which all minds are ⓑagitated, and whole system of life is continued in motion. In the writings of other poets a character is too often ⓒan individual; in those of Shakespeare it is commonly ⓓa species.
※(42~43) 글을 읽고 물음에 답하시오.
Imitations produce pain or pleasure, not because they are (      ㉠      ) for realities, but because they bring realities to mind. When the imagination is ⓐrecreated by a painted landscape, the trees are not supposed capable to give us ⓑshade, or the fountains ⓒcoolness; but we consider, how we should be ⓓdisappointed with such fountains playing beside us, and such woods waving over us.
42글의 내용상 ( ㉠ )에 가장 알맞은 것은?
43ⓐ~ⓓ 중에서 글의 내용에 어울리지 않는 것은?
44Edgar Allan Poe에 관한 설명으로 틀린 것은?
45“Review of Twice-Told Tales”에 관한 설명으로 틀린 것은?
※(46~47) 글을 읽고 물음에 답하시오.
We may continue the reading of a prose composition, from the very nature of prose itself, much (      ㉠      ) than we can persevere, to any good purpose, in the perusal of a poem. This latter, if truly fulfilling the demands of the poetic sentiment, induces an exaltation of the soul which cannot be long sustained. All high excitements are necessarily (      ㉡      ).
46글의 내용상 ( ㉠ )에 가장 알맞은 것은?
47글의 내용상 ( ㉡ )에 가장 알맞은 것은?
48밑줄 친 ⓐ~ⓓ 중에서 글의 내용에 맞지 않는 것은?
The idea of the tale has been presented ⓐunblemished, because ⓑundisturbed; and this is an end unattainable by the novel. Undue brevity is just as ⓒexceptionable here as in the poem; but undue length is yet more to be ⓓdesirable.
49D. H. Lawrence에 관한 설명으로 틀린 것은?
※(50~51) 글을 읽고 물음에 답하시오.
Whatever is me alive is me. Every tiny bit of my hands is alive, every little ㉠            . And whatever is me alive is me. Only my finger-nails, those ten little weapons between me and an inanimate universe, they cross the mysterious (      ㉡      ) between me alive and things like my pen, which are not alive, in my own sense.
50빈칸 ㉠에 알맞지 않은 것은?
51( ㉡ )에 가장 알맞은 것은?
52다음 괄호 안에 공통으로 알맞은 것은?
We should ask for no (            )s, or (            ). Once and for all and for ever, let us have done with the ugly imperialism of any (            ).
※(53~54) 지문을 읽고 질문에 답하시오.
One conspicuous thing, for example, about the (            ) arts is their tendency to eliminate not only the traditional audience -"those who apprehend the artist's art" (in "happenings" the audience is often the "cast," as in "environments," and some of the new music isn't intended to be performed at all)-but also the most traditional notion of the artist.
53괄호 안에 들어가 가장 자연스러운 것은?
54밑줄 친 the most traditional notion of the artist에 해당되지 않는 것은?
55밑줄 친 곳에 들어가 가장 자연스럽게 문장을 완성할 수 있는 것은?
Beckett has become virtually mute, musewise, having progressed from marvelously constructed English sentences through terser and terser French ones to the unsyntactical, unpunctuated prose of Comment C'est and "ultimately" to                         .
※(56~58) 지문을 읽고 질문에 답하시오.
Back in the great ⓐdecades of literary experimentalism he was ⓑassociated with Prisma, a "muralist" magazine                         ; his later Labyrinths and Ficciones ⓒnot only anticipate the farthest-out ideas of The Something-Else Press crowd―not a difficult thing to do―but being marvelous works of art as well, ⓓillustrates in a simple way the difference between the fact of aesthetic ultimacies and their artistic use. What it comes to is that an artist doesn't merely exemplify an ultimacy; he employs it.
56밑줄 친 he는 누구를 지칭하는가?
57빈 곳에 들어가 가장 자연스럽게 문장을 완성할 수 있는 것은?
58밑줄 친 ⓐ~ⓓ 중 문법적으로 올바르지 않은 것은?
59글의 흐름상 어울리지 않는 것은?
In any case, to be technically out of date is likely to be a genuine defect: Beethoven's Sixth Symphony or the Chartres Cathedral if executed today would be merely ⓐembarrassing. A good many current novelists write turn-of-the-century-type novels, only in more or less mid-twentieth-century language and about contemporary people and topics; this makes them considerably ⓑmore interesting (to me) than ⓒexcellent writers who are also ⓓtechnically contemporary.
※(60~61) 지문을 읽고 질문에 답하시오.
Fantasy is often ridiculed for its lack of ideas, and readers of fantasy are attacked for             . Withdrawal is not a coping strategy most thoughtful adults want to teach children. In fact, if fantasy as a form were merely a way of escaping, it might create problems for children, who need all the practice they can get dealing (            ) a world that grows increasing complex.
60글의 흐름상 빈 곳에 가장 알맞은 것은?
61괄호 안에 알맞은 전치사는?
※(62~63) 지문을 읽고 질문에 답하시오.
The quest plot that structures fantasy and the double outcome of the quest―the molding of the hero and the saving of the community―these find in romance. As Jane Mobley has shown, fantasy is heavily indebted to the romance tradition. In romance the hero, who seems unworthy at first, sets out on a quest that is of vast importance because the fate of a society rests on its outcome. This quest is always defined by someone of a higher status or greater power.
62지문의 내용과 일치하지 않는 것은?
63밑줄 친 find 동사를 알맞은 형태로 바꾼 것은?
※(64~65) 괄호 안에 들어가 가장 자연스럽게 문장을 완성할 수 있는 동사는?
64During the quest the hero of the romance (            ) a ritual death in a struggle with an enemy who is, as Northrop Frye has argued, "associated with winter, darkness, confusion, sterility".
65American culture, which is relatively ritual-poor, (            ) any definitive rites of passage to celebrate this transition.
66ⓐ~ⓓ 중에서 동사의 쓰임이 올바르지 않은 것은?
Literature, generally, still ⓐis occupied a more privileged position in the cultural hierarchy than movies ⓑdo; and readers often ⓒhave a proprietary attitude toward the book, an attitude that ⓓinfluences their reception of a film based upon it.
※(67~68) 지문을 읽고 질문에 답하시오.
In ⓐassessing the merits of a literature-based film, an understanding of the three different translation modes is crucial because any evaluation must ⓑtake into account the mode ⓒusing in ⓓmaking the film. It is inappropriate, for example, for a radical or traditional translation of a literary work to be held to a literal standard (Hey ... That's wrong! In the book she had blonde hair!).
67ⓐ~ⓓ 중에서 동사의 형태가 올바르지 않은 것은?
68밑줄 친 three different translation modes에 해당되지 않는 것은?
※지문을 읽고 질문에 답하시오.
The matter is further complicated by filmmaker and theorist Jean Luc Godard's position (            ) originality is inevitable in all cinematic translations of literature. For Godard, an insistence on a filmmaker's fidelity to the literary source is based on a false assumption, ie., that there is a core, stable text which the film can steadfastly translate, instead of, as he believes, an infinite number ways of readings of any one work.
69괄호 안에 필요한 접속사는?
70Godard의 주장과 일치하는 것은?

중복답안 가이드
A1, 2E2, 4I1, 3, 4
B1, 3F3, 4J2, 3, 4
C1, 4G1, 2, 3K1, 2, 3, 4
D2, 3H1, 2, 4

No정답선택채점바로가기
364
374
382
391
401
411
423
434
443
454
462
471
484
493
502
513
522
531
544
552
561
574
584
592
603
611
623
634
642
654
661
673
684
692
704
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