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방송대 방통대 고급영문강독 기말시험 2015년도 2학기 4학년 / 올에이클래스 기출문제 모의고사

by AN, TAEMIN / ΛΙΙΛ™ 2022. 11. 16.
0-썸네일-고급영문강독-기말-15-2-4
0-썸네일-고급영문강독-기말-15-2-4
올에이클래스 이용안내 이미지입니다. 올에이클래스는 인터넷 익스플로러를 제외한 크롬엔진 기반의 브라우저에서만 원활히 이용가능합니다.
2015 학년도     2 학기     4 학년     35 문항
고급영문강독
시험종류   :기말시험
출제위원   :방송대 이원주, 손향숙
출제범위   :멀티미디어강의 전체
자료출처   :한국방송통신대학교
웹앱제작   :올에이클래스 김현수

 

36위대한 천재의 상상력이 발현된 작품이라는 찬사와 가장 관련이 깊은 것은?
37어떤 작품의 여러 가지 판본을 비교, 연구하여 정본을 규명하는 것을 목표로 하는 비평은?
38작품을 작품 내의 비유, 상징, 구조 등의 상호관계에서 규명해야 하며, 다른 어떤 판단기준을 적용하지 말아야 한다는 주장과 관련이 있는 것은?
39Johnson의 Shakespeare에 대한 옹호와 가장 거리가 먼 것은?
40밑줄 친 ⓐ~ⓓ 중에서 작품의 내용이나 글의 흐름에 맞지 않는 것은?
Shakespeare is above all writers―at least above all modern writers―ⓐthe poet of nature; the poet that holds up to his readers ⓑa faithful mirror of manners and of life. His characters are not modified by the customs of ⓒuniversal places unpracticed by the rest of the world; by the peculiarities of studies or professions, which can operate but upon ⓓsmall numbers;…
41글의 내용이나 흐름상 괄호 안에 가장 알맞은 것은?
It was observed of the ancient schools of declamation that the more diligently they were frequented, the more was the student (            ) for the world, because he found nothing there which he should ever meet in any other place.
※(42~43) 글을 읽고 물음에 답하시오.
For his other deviations from the art of writing, I (      ㉠      ) him to critical justice, without making any other demand in his favor, than that which must be indulged to all human excellence ― that his virtues be rated with his failings. But, from the censure which ㉡this irregularity may bring upon him, I shall, with due reverence to that learning which I must oppose, adventure to try how I can defend him.
42글의 내용상 ( ㉠ )에 가장 알맞은 것은?
43밑줄 친 ㉡this irregularity가 가리키는 것으로 가장 알맞은 것은?
44“Yet when I speak thus (            ) of dramatic rules, I cannot but recollect how much wit and learning may be produced against me.”에서 글의 맥락상 괄호 안에 알맞은 것은?
45Edgar Allan Poe의 작품이 아닌 것은?
※(46~47) 글을 읽고 물음에 답하시오.
All high excitements are necessarily ⓐtransient. Thus a long poem is a (      ㉠      ). And, without unity of ⓑimpression, the deepest effects cannot be brought about. Epics were the offspring of an ⓒimperfect sense of Art, and their reign is no more. A poem too ⓓlengthy may produce a vivid, but never an intense or enduring impression.
46글의 내용상 ( ㉠ )에 가장 알맞은 것은?
47ⓐ~ⓓ 중에서 작품의 내용이나 글의 흐름에 맞지 않는 것은?
48“(            ) is often, and in very great degree, the aim of the tale.”에서 괄호 안에 가장 알맞은 것은?
49D. H. Lawrence의 작품은?
50다음 괄호 안에 알맞은 것은?
Mens sana in corpore sano. The years drink up the wine, and at last throw the bottle away, the (            ), of course, being the bottle.
※(51~52) 글을 읽고 물음에 답하시오.
If the one I love ⓐremains unchanged and unchanging, I shall ⓑcease to love her. It is only because she changes and startles me into change and ⓒfortifies my inertia, and is herself staggered in her inertia by my changing, that I can ⓓcontinue to love her. If she stayed put, I might as well love the (      ㉠      ).
51밑줄 친 ⓐ~ⓓ 중에서 글의 내용과 어긋나는 것은?
52글의 맥락상 ( ㉠ )에 가장 알맞은 것은?
53다음 설명에 해당하는 사람은 누구인가?
- An American novelist and short-story writer
- Known for the postmodernist and metafictional quality of his work
- The author of Lost in the Funhouse (1968)
54“The Literature of Exhaustion”에 대한 설명으로 바르지 않은 것은?
※(55~56) 글을 읽고 질문에 답하시오.
That a great many Western artists for a great many years have quarreled with received definitions of artistic media, genres, and forms goes without saying: pop art, dramatic and musical “happenings,” the whole range of “intermedia” or “mixed-means” art, bear recentest witness (            ) the tradition of rebelling against Tradition.
55글의 내용과 일치하는 것은?
56괄호 안에 알맞은 전치사는?
※(57~58) 글을 읽고 질문에 답하시오.
A good many current novelists write turn-of-the-century -type novels, only in more or less mid-twentieth-century language and about contemporary people and topics; this makes them considerably less interesting (to me) than excellent writers who are also technically contemporary: Joyce and Kafka, for instance, in their time, and in ours, (            ) and Jorge Luis Borges.
57글에서 언급된 'A good many current novelists'가 비판 받는 이유는 무엇인가?
58괄호 안에 들어갈 인물은?
59문장의 의미를 우리말로 바르게 옮긴 것은?
Borges doesn't attribute the Quixote to himself.
60글의 흐름상 괄호 안에 가장 자연스러운 것은?
One notices, by the way, for whatever its symptomatic worth, that Joyce was virtually blind at the end, Borges is literally so, and Beckett has become virtually mute, musewise, having progressed from marvelously constructed English sentences through terser and terser French ones to the unsyntactical, unpunctuated prose of Comment C'est and “ultimately” to (            ).
※(61~63) 글을 읽고 질문에 답하시오.
But far from isolate children or encourage them to escape from their social responsibilities, “high fantasy” unites people into groups and reinforces the values around which those groups (            ). It might be argued, in fact, that if fantasy presents any danger, it is the danger of preparing the reader for obedient, uncritical participation in a comforting, authoritarian system. But the best children's fantasies encourage questioning of commonly held cultural values rather than mere conformity to them.
61밑줄 친 isolate와 encourage 동사를 알맞은 형태로 바꾼 것은?
62괄호 안에 들어가 가장 자연스럽게 문장을 완성할 수 있는 단어는?
63밑줄 친 questioning of commonly held cultural values의 의미를 우리말로 바르게 옮긴 것은?
64글의 내용과 일치하는 것은?
What matters in fantasy is not so much the value system itself but the investigation of nonmaterialistic values. To read a fantasy is to absorb a particular interpretation of human experience, a kind of psychological or theological lore that claims that readers can change their identity and become powerful in the world.
※(65~66) 글을 읽고 질문에 답하시오.
Van Gennep, who pioneered work on rites of passage, asserted that they “accompany every change of place, state, social position and age.” Later anthropologists have confirmed his claim: for example, all tribal cultures that we know about (            ) their members into adulthood with such rituals.
65밑줄 친 they가 지칭하는 것은?
66괄호 안에 가장 자연스러운 동사는?
67밑줄 친 부분을 우리말로 바르게 옮긴 것은?
This presumption is widespread, but it is less a critical determination than a personal bias.
※(68~69)글을 읽고 질문에 답하시오.
To adapt is to move that same entity into a new environment. In the process of adaptation, the same substantive entity which entered the process exits, even as it undergoes modification─sometimes radical mutation─in its efforts to accommodate itself to its new environment. “To translate,” in contrast to “adapt,” is to move a text from one language to another. It is a process of language, not a process of survival and generation.
68위 글은 무엇과 무엇을 대비하여 설명하고 있는가?
69글에서 쓰인 단어들 중 modification과 가장 가까운 의미를 지니는 단어는?
70밑줄 친 position의 다음 문장에서의 의미는 무엇인가?
The matter is further complicated by filmmaker and theorist Jean Luc Godard's position that originality is inevitable in all cinematic translations of literature.

중복답안 가이드
A1, 2E2, 4I1, 3, 4
B1, 3F3, 4J2, 3, 4
C1, 4G1, 2, 3K1, 2, 3, 4
D2, 3H1, 2, 4

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